It was only meant to be the first stop, a small village on the way to somewhere bigger and more important. I was a student on my very first study abroad trip, groggy from the flight and too jet-lagged to hold much expectation. But the moment we arrived, something shifted.
It wasn’t loud. It wasn’t dramatic. It was just… old. The kind of old I had never touched before. The kind that sinks into the ground and doesn’t need to announce itself.
I had never seen a castle in person. Never stood near Roman ruins. Never walked through a place made entirely of stone, where centuries whispered from every wall. The houses, the lavoir, the way the water slipped quietly through the village—it felt like I was standing in a place that had been lived in for hundreds of years, maybe longer. I remember wondering who had passed through before me. What their lives were like. If they were tired too, and if the calmness of this place had wrapped around them the way it suddenly wrapped around me.
What surprised me most was how intact it all was. In the U.S., things rarely last. We build for function, not for memory. But in Fondremand, the buildings stood not only as relics, but as living parts of daily life. Doors still opened, chairs were still being set out for lunch, and the stone walls still held warmth from the sun. It was quiet, yes—but not abandoned.
The village itself barely made a sound. Just the trickle of water moving through the creek, soft birdsong, the occasional thud of wooden shutters, and the scrape of a chair dragged onto a terrace as someone prepared the only café that seemed to exist. My feet brushed against loose stones as I walked, the sound grounding me even more than the view. No one rushed. No one filled the silence.
The colors were muted, almost shy, until you reached the grassy areas by the creek where green burst through the gray. Near the water, moss clung thick and slick along the base of the stone ramparts. I remember the sensation of age—not as decay, but as texture. As presence.
There isn’t a castle in Fondremand, not really. Not the kind with battlements and flags and fairy tale endings. But somehow, walking through the narrow lanes and overgrown stones, it felt like I had stepped inside ancient castle grounds. The kind of place where hooves once echoed in the courtyard and gossip slipped between the stones.
Because that’s what Fondremand did to me. It cracked me open. Gave me silence, yes, but also space to be fully there. To wonder. To daydream. To fall into history and absurdity all at once.
I hadn’t expected anything from Fondremand. I never knew it existed. In fact, I hadn’t even known we were going there. I was just along for the ride, following the flow of whatever came next. And maybe that’s why it hit me so deeply. I didn’t have time to brace for wonder. It just arrived, and I happened to be paying attention.
If Fondremand challenged me in any way, it was in what it did after. I went back home and looked at life differently. The rows of identical houses, the monotony of beige suburbs, the way everything in the States felt temporary or disposable—I noticed it all. And I mourned something I hadn’t even realized I’d found.
Because Fondremand had shown me something lasting. Something that had endured, not because of its fame or function, but because it had never stopped being real. It wasn’t preserved for tourists. It was simply lived in—weathered, mossy, crumbling, alive.
I never lived there. I never stayed the night. I didn’t even know the name of the woman who opened her shutters while I passed by. But something happened in that village. And for all its silence, it’s never stopped echoing in me.
A quiet corner of the world that cracked open my curiosity and offered me my first glimpse of time layered into place. I didn’t capture it in perfect photos. I didn’t even know to look for it. But it found me anyway, through stone and water and birdsong.
More than a decade later, I still carry Fondremand with me. It didn’t try to impress. There were no grand gestures, no curated charm. It simply offered what it had always been—still, weathered, and quietly alive. And maybe that’s why I’d bring people there now. Not to check something off a list, but to offer them that same deep breath of history, quiet, and wonder. A reminder that the moments that shape us don’t always ask permission. They arrive gently, almost unnoticed, and stay long after.
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